Obviously he already understood the scope of his influence here. Did he accept his role as prophet or was he simply smugly amused by the whole misunderstanding?
Wednesday, April 2, 2014
Marcel Duchamp Speaks
Obviously he already understood the scope of his influence here. Did he accept his role as prophet or was he simply smugly amused by the whole misunderstanding?
Tuesday, April 1, 2014
Beck's Song Reader
Wednesday, March 12, 2014
ALLATONCENESS NEW MEDIA PROJECTS
Monday, March 17, 2014
11:30 AM - 2:00 PM
Warch Campus Center Cinema
New
media projects by 11 ART 240 Digital Processes students responding to Marshall McLuhan’s ideas of the global village from his seminal book The Medium is the Massage. Writes
McLuhan, “Ours is a brand-new world of allatonceness. “Time” has ceased,
“Space” has vanished. We now live in a global village…a simultaneous
happening…we have had to shift our stress of attention from action to reaction.”
Steven Alexander - WAR V. YOUTH is a video detailing the loss of innocence from the modern child due to the power and existence of sensationalized news media
Zain Ali - Speeding Speech: Pigeon Mail to the 21st Century is a video about how technology has helped connect lives from the 1800s to the 21st century providing a closer look into how far we have come in electric circuitry - reconstituting dialogue on a global scale
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Rachel Jo Arnow - The New Twitch is a video experience portraying our minds in a digital process, as our environment becomes a new graphic interface
Erin Davis - The Growth of a Global Village is a stop-motion video utilizing modular origami to represent the technological evolution and spread of information that accompanied the evolution of the global village
Ariel Garcia - YouTube Beauty Gurus of Babel is a digital video with a soundscape combining elements from YouTube beauty videos from all over the world to shed light on how vast technology’s impact is on the beauty industry on a global scale
Christopher Moore and Laura Udelson - Photoshop® Meets Medieval is a collaborative image manipulation project looking at historical iconography associated with active viewing
Jade Peterson - Chronicles of Connection is a series of images showing how connection and harmony can exist at the same time. States the artist, "I am pushing aside the idea that humanity is savage because of intimacy and comparing that closeness to Mother Nature."
Mackenzie Rech - A Narrative of Music is a video collage of music and lyrics from the 1950's to present commenting on society's tendency to consume media, specifically music, all at once with no understanding of the historical and cultural context from which it emerged
Kate Siakspere - Streaming Through the Global Village (1998 - present) is an interactive art experience showcasing four computers (Mac and Windows) from 1998 to present. Each computer will show a short one-minute video clip of viral videos that exploded on the web and in media pop culture from the specific year the computer was made
Rachel Wilke - Uncovering Hidden Messages is a video commenting on our evolving interaction with television, as intellectual human beings, as we grow older. States the artist, "We grow to understand the content of television differently, and in a more mature and sophisticated manner than we did when we were young children; we see things through television now that we originally missed."
Monday, February 24, 2014
Bruce Conner's (dated yet) timeless found aesthetic
Monday, February 17, 2014
“Art is anything (what) you can get away with”
It seems that many of Andy Warhol's beloved quotes may have originated from the words of Marshall McLuhan. Should we expect that he would have attributed them? Wouldn't it be a bit of a disappointment to learn that any of Warhol's quips weren't stolen? (or in this case exist in a slightly modified from, as the word 'what' replaces 'anything', implying that he hadn't gotten away with everything at the time)
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Monday, February 10, 2014
John Cage Big Daddy
Margaret Leng Tan performance exerpt of In the Name of the Holocaust from John Cage, I Have Nothing To Say, And I Am Saying It, PBS American Masters, 1990
Margaret Leng Tan
"Cage liberated 20th-century American music from the
almighty European tradition and gave American composers the confidence
to be themselves. In fact, not only composers but American artists in
general. One can go so far as to say Cage gave all artists the confidence to be themselves. In essence, we are all Cage's spiritual children."
from 33 Musicians On What John Cage Communicates by Max Blau
npr.org
from 33 Musicians On What John Cage Communicates by Max Blau
npr.org
Tuesday, February 4, 2014
Something Happened
Bob Dylan's appearance in a 2-minute advertisement promoting Chrysler cars, Detroit, and American pride aired during the SuperBowl on February 2, 2014.
HERE WE HAVE the principle of commodity fetishism, the domination of society by things whose qualities are "at the same time perceptible and imperceptible by the senses." This principle is absolutely fulfilled in the spectacle, where the perceptible world is replaced by a set of images that are superior to that world yet at the same time impose themselves as eminently perceptible.
-Guy Debord, Thesis 36, The Society of the Spectacle translation by Donald Nicholson-Smith
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